“The Power of Creativity”: Lib Dems launch arts vision paper #libdems #arts

On December 15 2008 Nick Clegg delivered a speech to the think tank Demos entitled “Why I am a Liberal”. It was both passionate and philosophical, a very personal evocation of liberalism that captures the essence of political empowerment:

“A Liberal believes in the raucous, unpredictable capacity of people to take decisions about their own lives… A Liberal believes a progressive society is distinguished by aspiration, creativity and non-conformity.”

Today, Don Foster MP, the Liberal Democrats Shadow Secretary of State for Culture, Media and Sport, launched “The Power of Creativity” – a vision document for the arts that translates Liberal ideals into political commitments, policies and aspirations.

As the document highlights, the first Chairman of the Arts Council was John Maynard Keynes, the noted economist and lifelong member of the Liberal Party. He set out a clear mission for the Arts Council:

“The purpose of the Arts Council of Great Britain is to create an environment, to breed a spirit, to cultivate an opinion, to offer a stimulus to such purpose that the artist and the public can each sustain and live on the other in that union which has occasionally existed in the past at the great ages of a communal civilised life.”

In the current political and economic climate, funding, innovation, local support and creative risk-taking are all in jeopardy.  Our own experience in Basildon, with “The Woodsman”, “Progression” and The Wat Tyler Sculpture Trail are testimony to the low priority that the arts receive in terms of support from local government, particularly where politicans are obsessed with enormous capital projects to cement their political legacy. Foster’s paper seeks to sustain Keyne’s original and Liberal vision for the arts in these more uncertain times.

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“The Woodsman” – Basildon Community Video Club’s video story (now on DVD) #woodsman

A reader has been in touch to explain that the “Basildon Community Video Club” produced a video recording the story of the tree which was used by Dave Chapple to produce his sculpture “The Woodsman”. Filmed during 1995, the 20 minute documentary shows Dave Chapple at work creating the statue of “The Woodsman” from the trunk of a fallen tree from Langdon Hills.

The Essex Media Workshop based in Parkside, Pitsea, has now transferred the original VHS tape onto DVD. I have been in touch with them and those who would like to see the story of how “The Woodsman” was made can purchase a copy. The Essex Media Workshop are a registered charity in England and Wales that specialises in helping charity groups and disabled organisations realise their video projects. Any proceeds from the DVD will help them continue the valuable work they do with all manner of vountary groups.

The video of “The Woodsman” being carved is available from: Essex Media Workshop, Parkside, Basildon, SS13 1NL.

The price is £4 (or £5 inclusive of post and packing).

Please order via Andy Alexander at the Essex Media Workshop, Tel. 01268 555 771 or via e-mail at andy@essexmediaworkshop.co.uk

“Progression”: ‘extraordinary attitudes’ that did for “The Woodsman”? #woodsman

Following my post on “Progression” and “The Woodsman” I made contact with the artist Michael Condron, the sculptor commissioned by Basildon Council to make “Progression”. I thought it courteous to draw his attention to the fact I was blogging about his work. His response – which he is happy for me to share – is an extraordinary and depressing indictment of the lack of courtesy and general ignorance of Basildon Council (and by extension its Conservative administration) in its dealings with artists and issues of public art:

“The attitude Basildon DC has shown towards it’s public art is pretty extraordinary, and fortunately not the kind of behaviour I’ve come across elsewhere.

The relocation of my Progression sculpture was not something I was consulted on.  Whilst I’m not entirely happy with the new situation, it is better than the artwork rotting in a storage yard somewhere.

You mentioned NYC’s percent for art programme in the blog, and I wonder if you’re aware that Essex County Council also has a percent for art policy.  Many commissions have been funded by developers through “section 106” planning requirements, including my recent Life Cycle installation at Hanningfield reservoir.

Generally speaking public art is vibrant in Essex!”

What is particularly depressing is that, whilst Basildon’s Conservatives neglect and rip out our public art, the record of Essex County Council, another Conservative administration, is a national leader when it comes to supporting public art. As Condron notes, Essex does indeed operate a percent policy for art. Art in the Open singles out Essex as its case study for best practice in “embedding public art within Council-led capital projects”. The page on commissioning guidance states:

“Essex County Council (ECC) has been commissioning art in the public realm as part of its Capital Development Programme and Essex Design Initiative for many years.  It was the first County Council to develop and adopt the principle of a public art policy in the late 1980s.  In 2002 it adopted a Percent for Art policy and, more recently, has developed a central budgeting process to create a new fund, the Public Art Common Fund, that draws money directly from ECC’s capital programmes budget, enabling the public arts team to plan longer term.  This has lead to the development of a three-year programme of more substantial commissions under the banner of ‘Genius Loci’ (‘Spirit of Place’).  These commissions are predominantly permanent but also include some temporary work to help highlight and pave the way for the permanent.”

What’s more, Essex demonstrates that it truly understands the purpose of public art:

“ECC seeks to commission art in the public realm to:

  • Improve the aesthetics of the built environment
  • Enhance a sense of community and place
  • Foster community pride and ownership
  • Celebrate artistic achievement
  • Reflect a ‘spirit of place’”

To demonstrate how serious Essex is about supporting public art, Art in the Open explains how the County Council organises the staff that support public art:

“ECC believes in an embedded and informed approach to commissioning art in the public realm.  It runs workshops and organises study trips to support internal development and understanding; the public art team sits within the built environment department, ensuring a close working relationship across planning and development teams; a Public Art Strategy Group, chaired by a cabinet member and including officers from across the council, helps keep an informed overview; occasionally, external organisations are brought in to provide additional commissioning support.”

And the big question in local government is always the money:

“Funding streams:

  • Percent for Art: up to 1 per cent of almost all capital builds across the council. This has been consolidated for 2007-2010 as the Public Art Common Fund where 0.74 per cent, £2.14 million, has been designate for Genius Loci. The continuation of the Common Fund beyond 2010 is subject to approval by the Council and is depended on a successful bid from the Public Art Team.
  • Money can also be brought in through section 106 (however, this mechanism is dependent on the policy of the local planning authority not the County Council).”

To be honest, it is a pretty extraordinary commitment from a local authority and I applaud Essex’s seriousness in making public art accessible and relevant – not shoved away in corners as museum pieces to be visited.

So why is it, with such a leading example so politically and geographically close to home, that Basildon’s Conservative Party acts like a Neanderthal collective when it comes to  public art? I can’t answer that. However, I can only think that the “pretty extraordinary” attitude identified by Condron was a principal contributing factor to the appalling ruin of “The Woodsman”.

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Cultural vandals: Basildon’s Tories tear up the national motorboat collection as the Motorboat Museum is closed #toryfail #basildon

In yet another display of cultural vandalism, Basildon’s Tories have torn up the national motorboat collection, following their closure of the nation’s Motorboat Museum so it can be converted into a “green” centre. To give you an idea of the collection’s significance, here is an excerpt from the note on the website about it:

“The Motorboat Museum has been Britain’s leading authority on sporting and leisure motorboats since its creation in 1986.

Many record breakers and rare examples of boats, inboard and outboard motors are housed in the Museum. There is also an extensive collection of historic replica models and memorabilia.

The comprehensive library holds books, magazines and plans dating back to the 1890s. The library is open for use by researchers by appointment only. Enquiries can also be made through the post.”

The museum’s website says the following:

“We’re sorry to announce that the Motorboat Museum is closing down as of 4th December 2009.

Due to large scale refurbishment of the building housing the Motorboat Museum, it is necessary to close the Motorboat Museum and repatriate the collection.”

Back in November, The Echo ran a story on with the headline £1m green centre to open on site of boat museum. In that article, there is a reference to the Council’s postition:

“It would see half of the existing motorboat museum transformed into the new green museum by Spring 2011.

The other half will go out to lease, but could still remain as a venue for powerboat enthusiasts if an interested party comes forward to take over the running from Basildon Council.

Although planning is still in the early stages, it could also house historical artefacts and other items of interest.”

The article concludes:

“The council stressed all options were still open regarding the remainder of the motorboat museum, which is now only visited by about 10 per cent of visitors to the park annually.”

On the 12th November, Cabinet met and agreed to take further funding from the Department for Communities and Local Government under its Parklands Initiative. (I sit on Cabinet but, detained at work, missed the first items on the agenda, including this one. You can see from the voting record at the back of the minutes.) The report to Cabinet states:

“The second phase of funding will develop part of the Motorboat Museum to create a new community facility that provides education on the environment and the reduction of carbon.”

As this was an extensive redevelopment, you would expect it to close to the public for some time – and for the collection to be temporarily relocated.

So to recap…

On 9 November The Echo runs a story saying it could close.

On 12 November Cabinet meets and paves the way for the museum’s closure to permit the works at Wat Tyler.

On 4 December or before, the  Motorboat Museum posts a story on its website saying that as of 4 December the Motorboat Museum is to be closed and its collection repatriated.

Look again at that press comment. It is written in the clever spin-speak you come to expect of politicians and bureaucrats who want you to reach their conclusion: “now only visited by about 10 per cent of visitors to the park annually”. It is the language of minimisation, when you want to make something less significant.

But remember what Councillor Horgan said of “The Woodsman” and Wat Tyler Park? It bears repeating:

“The woodsman is a well loved piece of public art, and we believe that a new home at Wat Tyler Country Park is more suitable and appropriate, where he will be appreciated by the hundreds of thousands of people that visit the park each year.”

Note the figure: hundreds of thousands. Ten percent of hundreds of thousands means that the Motorboat Museum was being visited by tens of thousands of people annually. A rather more impressive figure than we are led to believe by the figure of ten percent. Indeed, the Cabinet report of 12 November is very specific about Wat Tyler’s projected visitors: numbers are projected to increase to 450,000 in two years. That means that the Council are acknowledging that the museum would receive 45,000 visitors a year in the next two years.

I don’t think 45,000 visitors is an insignificant number for a museum that I doubt has been widely promoted in recent years. (If you have time, the Cabinet report is worth a read – it is riddled with contradictions which it has been suggested to me is the product of repeated redrafting and editing.)

The Motorboat Museum is a registered museum with the Museums, Libraries and Archives Council. As such, upon closure, certain protocols have to be followed to ensure that the collection is properly dispersed (I am not certain, but I presume that this is so that items in the collection can be traced). I have seen correspondence which reassures me that those protocols are being followed. However, the fact remains that the collection as was is no longer intact and a sizeable number of the boats have already been relocated.

Personally, I don’t believe the Council has invested any serious effort in maintaining the integrity of the collection. I have nothing against taking funding from Government for a new green education centre. However, if the Council were bothered enough, they could have sought to preserve this nationally significant collection. I think that when the meeting was held on 12 November, the decision had already been taken privately by administration councillors that they were no longer interested in the Motorboat Museum. They wanted to be rid of it – and the “hassle” of looking after its collection. If I am wrong, and I hope I am, then we will see plans coming forward to preserve and display the remaining boats. After all, all options are still open. Or were.

For once, Basildon was able to lay claim to providing a home to a nationally significant collection (if you Google “”motorboat museum” basildon” you get over 8,000 hits). The Motorboat Museum was a landmark institution – and I don’t recall Basildon Council Tax payers being consulted as to whether Basildon should continue to provide that home.

Irrespective of local people’s views, the fact is Basildon no longer is.

Once again, the Tories have demonstrated their complete contempt for our local and national heritage – and taken us all for suckers.

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Eva Sajovic’s “Be-Longing: Travellers’ Stories, Travellers’ Lives” opens Thursday #sajovic #travellers

Photo by Eva SajovicTen days ago I blogged about the exciting upcoming exhibition from Eva Sajovic, the Slovenian photographer who has worked extensively with Gypsies, Roma and Travellers, including Traveller families from Basildon, for the past two years.

The exhibition opens on Thursday (4 February) and runs until Saturday 20 March. Throughout both months there are various events associated with her exhibition:

Sat 13th Feb 2010
12-5pm
Workshop with Romany artist Delaine Le Bas
Weds 17th Feb 2010
6-9pm
Seminar exploring the role of photography and other artistic media in challenging stereotypes and prejudice.
Tues 9th March 2010
10.30am-4pm
Seminar:  The Future of Travelling Communities
Thurs 18th March 2010
7-9pm
Film Screening of Romano Hip Hop by R Point
Sat 20th March 2010
1-5pm Gallery Open & Closing Event with music
6-9pm

Spaces at these events are limited so please contact the Brixton arts space 198 to reserve yours: info@198.org.uk

For more details please read the full text of her press release.

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“The Woodsman”: When being free is still not cheap enough #basildon #woodsman

I’ve spent some time reflecting on Cllr Tony Ball’s statement that he made regarding “Progression” (see my earlier post “Progression” and “The Woodsman”: A Tale of Two Sculptures):

“We are not against the art – but the cash should be from private sponsorship.”

I realised I didn’t know anything regarding the financial provenance of “The Woodsman” and whether or not Basildon Council had commissioned it, assisted with transportation costs, paid for its installation etc. I decided to email Vin Harrop, heritage director of Our Basildon, and ask that question. His response was fascinating:

“Dave Chapple on behalf of the then Basildon Arts and Design Initiative (BADI)  gifted the finished work to the people of Basildon.  It took him 5 months to complete, working for nothing from June 1995. He was 63 years old at the time and wanted to work on that scale before he got too old. Dave spent three days a week and never missed a day, each day he was surrounded by scores of people inquisitive to know what he was doing, if he had cut down the tree and how much it was costing. Dave always replied “not one penny”.  People were visiting Dave on a regular basis offering gifts in particular food, so you can see he built up quite a rapport with all those using St Martin’s Square. This is why we use the term ‘People’s Artist’, for he was a man of the people (born in Vange) who created his art for the people of Basildon.

Basildon Council gave permission to install scaffolding in front of the Basildon Centre and covered the hire of a lorry to transport the fallen tree from Langdon Hills, and Dave’s public liability- about £300 in total. The scaffolding was provided as part of a sponsorship deal- other funds were sought but they (BADI) were unsuccessful.”

So here we have it. Unlike “Progression”, which was paid for from public funds, “The Woodsman” cost nothing except the £300 for transport and liability insurance. I have since been told that BADI may have actually raised that £300 also.

It would seem that even when a work is sponsored from private funds, the Conservative administration is not interested in maintaining “the art”. I don’t know if that makes Cllr Ball “against the art” – it does, however, leave a bad taste in the mouth to see the landmark carving of a local artist mouldering on its side in Wat Tyler (I understand it now has a tarpaulin over it).

“Hardcore Carvers” are a group of independent artists and entertainers who specialise in making large wooden carvings (often with chainsaws). They treat their external oak sculptures yearly with teak oil.

B&Q’s cheapest teak oil is currently £5.16 a litre.

The Sporting Village is costing £38 million.

It makes you think about the balance of priorities.

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“Mother and Child” in ice

Em and I were struck in town by how beautiful the “Mother and Child” statue looked yesterday afternoon with the fountain flowing. As we got closer we realised that the water had frozen on parts of the statue.

“Mother and Child” in ice

“Mother and Child” in ice

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“Men of the Hills”: Reflections on a Winter’s morning walk and the frosted beauty of Langdon Hills

Ever since my childhood, there has been an association between walking around Langdon Hills and Saturdays.

Autumn walks particularly are fixed in the memory, the family – not just parents and siblings – slipping into boots and pulling on coats and setting out into Coombe Woods an hour or so before dusk  (Coombe Woods is known to many as “The Bluebell Woods” for its stunning spring carpet of bluebells as far as the eye can see). Five youngsters with over-active imaginations would pass through the gate into the tunnel of trees that lead from Dry Street deep into  a darkly magical woodland kingdom that could only harbour wraiths, twisted goblins and other spectres between the creeping shadows and tendrils of mist.

We would march determinedly past the ponds, past “The Woodpecker Tree”, to the edge of “The Valley”. There, catching our breath, we would gaze out towards the pines that that comprise “The Creepy Copse”, standing tall in silent sentry over the winding path – far below them and us – that leads to “The Ski Slope” (what was then a broad and open slope, lined on each side with pines and with a glorious ancient oak at its summit). “The Woodpecker Tree” has long since fallen, but for years it stood as an object of wonder, its bark-less, limb-less trunk giving it an almost prehistoric appearance. It got its name from the holes that punctuated its upper reaches. Whether or not woodpeckers ever dwelt there I’ve no idea.

If we were feeling brave we would run down the valley into the trees, follow the path through its twists and turns, past “The Sandy Hill” (site of numerous stick battles and rope-swing disasters and not to be confused with “The Sandy Hills” of Westley Heights) before clambering up to “The Ski Slope” where we would follow the upper path towards the old cricket ground at the top of Dry Street. En route we would gather chestnuts from the piles of leaves to roast on the fire before heading back down Dry Street. The smell of creosote on the handrail of the newly-created ranger path was a welcome return to the safety of civilisation. The wraiths and goblins slunk back into the darkness, watching our descent under the comforting yellow glow of the street lights from from their lairs amongst the shadowy twist of brambles.

Reaching home and back indoors, fingers clasped around mugs of tea would ache with that satisfying gnaw of heat on bone. The fire would be lit and stoked to a blaze before chestnuts were roasted in the embers and crumpets toasted on an ancient fork and then buttered and piled high on an old plate, itself precariously balanced on a low brass stand by the kindling. Cousins – who despite their gender were all “Men of the Hills” – would plan their next adventure before settling back, bellies full and imaginations fired, to play and draw and, when we could get away with it, watch The Dukes of Hazzard.

Times change, of course, and “The Men of the Hills” are reunited for their walks less often, though I like to think that we all retain similarly fond memories of those childhood woodland adventures.

Saturday walks for me are now more usually taken in the early morning.

Yesterday, having not enjoyed such an excursion for quite a while, I decided to get up at 6am (something of a feat as I had only gone to bed at 3am!) and head out into the hills. Porridge and tea delayed my start, but at about 6.40am I set out from Gernons, wellington boots on and staff in hand and Radio 4’s Farming Today on my headphones. I walked across Eastley green and used the cut-through (that really must become an all-weather path – it is used by so many), heading down the college entrance road to Nethermayne. As I walked past St Luke’s Hospice and Basildon Hospital, the clouds above the estuary were a spectacular and angry inky swirl against a dark steel blue sky that only lightened towards the horizon.

Despite the day and the hour, traffic was already heavy and it was a relief to turn into Dry Street, the reassuring forms of Dry Street Farm – where so much growing up was done – quickly coming into view. From Dry Street I headed up past Dry Street Memorial Church towards One Tree Hill.

The view from One Tree Hill across the Thames to Kent and then up the river to London is one of the most spectacular I know. We too often take these places for granted, but such open and sweeping vistas are rare and, when the air is clear and the sky light, the views are inhibited only by the quality of your eye-sight. From One Tree Hill I headed through Northlands Woods, before picking up the bridleway through to Hall Woods. Here, switching off the Today Programme to listen to the morning chorus, I could hear a woodpecker drilling and I felt a thrill to be outside in such beauty, the sun now throwing a low and soft golden light on the frosted fields that I could see through the trees.

Walking the unmade roads past the settlements and farm buildings, I headed into Coombe Woods, past “The Ski Slope” and “The Creepy Copse” and stopping at the head of the valley – “The Valley” – to admire a beautiful sunrise on a now cloudless January Saturday morning. Finally, I headed down to Dry Street and the familiar outline of “Hillcroft”, detouring briefly around Northlands Approach and Coombe Drive so that I could enjoy the garden on my way to Mum and Dad’s back door.

As I opened the door I realised I had seen no-one at all until Coombe Woods, where I met a ranger making his way past the ponds, picking litter.

I am going to make the effort to walk this more often through the year, enjoying the very different ways it feels, looks, sounds and smells as season slips to season.

Even at 37 I realise that there are still adventures to be had for the “Men of the Hills” in their old hunting grounds – have your own and see what an incredible place we live in.

Below are the pictures I took as I walked.

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So… Should Basildon be a Borough?

Over on basildonFOCUS, my colleagues and I have launched a survey regarding the forthcoming discussion at Council on Borough status (Wed 24 February 2010). If you live in Basildon and want your views to be heard, please take a few moments to click the relevant buttons.

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The politics of connection: basildonFOCUS #libdems #basildon

My politics, my family’s politics and my party’s politics are about empowering people to take control of their own lives, in communities that we hope can be vibrant and and nurture diversity, ambition and a sense of collective responsibility towards a sustainable future. It can all start to sound very grand. The reality is, though, that taking control starts with very simple and mundane things that politicians – even local ones – start to overlook as their grand designs grow.

Joining the dots between people, the lives they live, their surroundings and the politicians who run the local council is what basildonFOCUS is about. Inspired by Rochford’s onlineFOCUS (imitation is the sincerest form of flattery, so the cliché goes!), basildonFOCUS is our latest attempt to make it easier for people to raise issues that, if tackled, would make a real change to their immediate area. At the same time, it is our way of trying to keep those who voted for us informed.

The web is often cited as the solution to people’s information needs. It is not. It is part of it. For those who don’t have access, it is irrelevant. For those who have access but little experience or understanding, some supposedly helpful sites are so bloated and confusing that they are more hindrance than help.

Our intention is to keep basildonFOCUS clean-looking, informative and easy to use.

And for those who are interested, click on the excerpt of the preamble to the Liberal Democrat’s constitution to get a sense for the instinctive and inclusive beliefs that underpin the party’s philosophy.

Your comments are welcome.

“The Liberal Democrats exist to build and safeguard a fair, free and open society, in which we seek to balance the fundamental values of liberty, equality and community, and in which no-one shall be enslaved by poverty, ignorance or conformity. We champion the freedom, dignity and well-being of individuals, we acknowledge and respect their right to freedom of conscience and their right to develop their talents to the full. We aim to disperse power, to foster diversity and to nurture creativity. We believe that the role of the state is to enable all citizens to attain these ideals, to contribute fully to their communities and to take part in the decisions which affect their lives.”

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