I’ve just spent a very happy hour and a bit slumped on a sofa in front of a roaring fire, Em on one side, a mug of tea on the other – and “Nuts in May” by Mike Leigh on the television. As with all his films, it is a perfect study of the quirks and imperfections of human nature – and the little obsessions that drive us all. If you can laugh at yourself, and you’ve not seen it, try and get hold of a copy. Better still, if you like character-driven cinema, that examines the way we complicate even the simplest things with our hang-ups, routines and prejudices, get hold of a copy of “Mike Leigh: The BBC Collection”, which contains all his surviving films, plays and shorts for the BBC:
Waking this morning I didn’t expect to open my inbox to discover something to make me literally shake with rage.
In recent days I have blogged on “The Woodsman”, Dave Chapple’s carved sculpture that he gave to the people of Basildon. Yesterday, members of Basildon’s arts community celebrated his work – and mourned the Council’s decision to remove “The Woodsman”.
Back in 2008, Basildon District Council decided to consult on the future of “The Woodsman”. In the original press release , unattributed assertions are made that “it was never meant to be outside for long periods” and that “to keep it outside will require extensive treatment and could cost thousands of pounds”. No officer or councillor puts their name to the quote – it stands there as a nugget of wisdom dispensed on high from people who clearly want to give the impression that they know what they are doing and that they understand how to care for such fragile works of art (the press release later makes clear that treatment would mean it could stand for a further ten years before more treatment).
Cllr Stephen Horgan reinforces that understanding when he states that “the “woodsman” sculpture is in need of repair, or removal to an indoor location.”
Notice: the implication of repair is that it could stay outside. Otherwise – “or” – it needed putting inside. So it remaining on display was a possibility. (If it were removed, there was even the prospect of a new piece of art for the square, suggesting that King Edgar’s Head by Dave Chapple might be a possibility.)
In October 2008 a further press release was issued which requested design ideas for the lighting column to replace “The Woodsman”. Cllr Kevin Blake is quoted saying: “We asked the public whether they wanted to see the woodsman replaced, and it seems only right that we now give people the opportunity to send in their ideas of what they think a new lighting column should look like.”
It is an interestingly constructed sentence – a PR professional’s top piece of spin.
See how the second part of the sentence implies the result of the first, but without saying what the response to the survey actually showed? The survey probably did show the result they reported. However, details of it are nowhere to be found on either Basildon District Council’s website or Basildon Renaissance Partnership’s website. I have written to the Council and requested a copy just so we can see how many people took part and exactly what it showed. I will of course share it here when it is forthcoming.
As you can see, public art is out the window now. Lighting columns are in. (Later still, in April 2009, I voted at Cabinet to accept the new money from the Government for new lighting in the Town Centre and St Martin’s Square. The Government wanting to invest in Basildon seemed a good thing. Seeing the insensitivity of the design in relation to the views of the Bell Tower, I regret how it is turning out. I wish I had also made the connection between the competition for new lighting columns, the future of “The Woodsman” and this money. I didn’t.)
I hope the pictures below shock you as much as they shocked me when I found them waiting in my inbox.
They were taken yesterday afternoon.
They show how Basildon District Council stores “The Woodsman”, that “well loved piece of public art” which Cllr Horgan believes will be appreciated by “hundreds of thousands” in Wat Tyler Country Park – a piece of art that in the Council’s own words “was never meant to be outside for long periods” and needed “extensive treatment”:
It is nothing short of vandalism. Cllr Michael Mowe is a Conservative councillor who condemns “brainless vandalism” – and very rightly so. I wonder what questions he will now be asking of his own Conservative administration? (Incidentally, vandalism can be reported to Basildon District Council on itswebsite and even by mobile phone. Perhaps the Council’s own acts of vandalism should be reported?)
To my mind, though, questions and emails and letters are useless. This Conservative administration has determined its priorities – and this is how it treats a “well loved piece of public art”.
Contrast that with £38 million for a Sporting Village.
The Echo today reports on the bitterness of the Chapple family at the way the Council has handled the relocation of “The Woodsman”. What is so desperately sad is that this is a local Basildon artist, who created this sculpture for the town, from materials originating in the town. In that sense it was truly a piece for local people and, as I’ve written previously, made important connections between the present day, the past and Basildon’s natural environment.
For local Tory politicians to have moved so quickly to get rid of this landmark carving smacks of an indifference to our local heritage – and a callous disregard for the feelings of Dave Chapple’s family.
Eva Sajovic, the award-winning artist who is both photographer and former illustrator, is mounting an exciting new exhibition entitled “Be-Longing: Travellers’ Stories, Travellers’ Lives” from 4 February -20 March 2010 at 198 Contemporary Arts and Learning. Amongst the pieces exhibited by the lawyer-turned-photographer will be art featuring her work with Basildon’s traveller community. Many readers will be very familiar with the threat of forced eviction which hangs over the established but unlawful traveller community at Crays Hilland the complex and emotional arguments that are not yet resolved peaceably or satisfactorily.
You can read more about the exhibition by taking a look at the official press release:
If you would like to know more about Eva, there is a great profile piece on the F2 Freelance Photographer websitewhich describes her journey into photography and the issues that inspire and motivate her.
The Gypsy, Roma and Traveller communities are are among the most misunderstood in the United Kingdom. Events such as Eva’s exhibition are vital if we are to foster a constructive dialogue that builds trust, co-operation and an understanding of mutual needs.
I hope I am able to get there. I hope you are too.
Looking over Ellie’s art, and writing about the decision of the Council to remove “The Woodsman”, reminded me how beautiful this part of Essex is – in very different ways. Ellie’s art, as she explains in her words in my post below, is heavily influenced by the landscape of her childhood. We grew up nestled in a rural area that was an idyll for children raised on Enid Blyton. Dry Street in Langdon Hills is isolated from the New Town in terms of development and social culture (you might find my very early post on the new town interesting). However, we often took trips to the Estuary coastline, to Coal House Fort, from where we could see the effects of industrialisation very clearly.
With that in mind, I decided to create two galleries on my Flickr page to show off the very different beautiful aspects of the area we live in (both of which are linked in earlier posts but are easy to miss).
The first is of Langdon Hills and is a stunning display of the natural beauty that is available to us in Basildon. The second is of the industrialised Thames Estuary and presents a very different, but equally beautiful view of the same area. Both galleries show pictures of the landscapes to be found in the constituency of South Basildon and East Thurrock.
Some of the scenes are barely a mile apart. Enjoy – and marvel at this diverse and beautiful place.
So Ellie tends to hide her light under a bushel. However, we who know realise that she is an ultra-cool and talented artist whose work is fresh and exciting. I know you think I might say that, as she is my sister, but siblings are not always the kindest critics. I don’t have a good record to be honest. I was apparently interrupted by the neighbour attempting to place my brother (equally talented and ultra-cool) on the bonfire.
This was a long time ago.
Not recently. Anyway…
Most of her stuff is not online at the moment as she is still reworking her online gallery. However, I have decided to embarrass her on my blog by showing the world (well, those who read this) how talented she is.
One of her early commissions was to work on The Compton Skyline Project in Brighton. It was a fantastic and ambitious piece of community art, installed on the roofs of houses and engaging local people in its conceptualisation and production. As well as painting, she is a dab-hand at sculpting and installations, working with both the Eden Project and Truro’s City of Lights Festival and Parade.
Ellie's installation of “Angel Gabriel” in Truro Cathedral, City of Lights 2007 - unattributed
She has also been a part of the creative team at Wildworks, the Cornish theatre company with a reputation for challenging and innovative theatre. Wildworks specialises in working with the landscapeand reworking mythical stories in a way that makes them relevant to the here and now. Recently, Wildworks put on the sensational show The Beautiful Journey. Have a look at the reviews. It’s a tremendous vote of confidence in her talents for her to be credited as a member of the team alongside her great friend, collaborator and house-mate, the equally talented and ultra-cool Myriddin Wannell(more on him another time!).
To give you a better idea of what fuels her creative imagination, probably best to read about Ellie in her own words:
Having grown up overlooking the Thames Estuary and it’s industrial and post-industrial landscape – oil refineries, anonymous edifices, scrub land and muddy-brown waters – it is of no surprise that when I moved to the other end of the country I landed at the heart of Cornwall’s contemporary mining landscape. Currently, I’m fascinated by these industrial yet ghostly and sombre places.
Most of my work is predominantly within the realms of drawing and painting, where I’m driven equally by the exploration of materials and the language of mark-making.”
Derelict tower at Coal House Fort, part of the landscape that inspired Ellie's early work
If anyone wants to see what else she has been up to, have a look at her CV. If you want to acquire a piece of her work or are interested in engaging her talents, drop me a line and I will put you in touch if you can’t track her down on the web!
Yesterday, on my email, I received an email from Conservative-controlled Basildon District Council, linking to a press release on the future of Dave Chapple’s “Woodsman” sculpture. The Council has decided to remove the statue permanently (it is currently in storage) and replace it with the original town clock. As you can see, it says:
“A location for the statue is currently being found within the Park, and the woodsman will remain in storage until then.
Cllr Stephen Horgan, deputy leader of the Council, says: “The woodsman is a well loved piece of public art, and we believe that a new home at Wat Tyler Country Park is more suitable and appropriate, where he will be appreciated by the hundreds of thousands of people that visit the park each year.””
I am all for putting the clock back on display (where it can be properly seen from all four sides!). I am also for ensuring that hundreds of thousands of people get the opportunity to enjoy the unique and other-worldly charm of “The Woodsman”. However, in an act tantamount to municipal vandalism, Conservative councillors intend to remove the sculpture from the urban space for which it was created and place it in a country park – changing its context, function and form entirely.
There is no explanation as to why it is to be moved. We are left to speculate why Cllr Horgan advises that Wat Tyler Country Park will be “more suitable and appropriate”. Perhaps reinstating it so close to the Council’s offices would be a potent reminder of how successive administrations – including the current Conservative administration – have failed to take care of this significant contribution to Basildon’s artistic heritage?
For me, “The Woodsman” isn’t just a quirky carving. Wood is a unique medium to work with. Unlike sculpting in bronze, from a cast, every single wooden carving, even if it appears the same, is very different. Each piece of wood has a different grain. Each piece of wood will have different knots to tax the skills of the carver. Hewn from local timber, from a tree felled in the Great Storm of 1987, “The Woodsman” is a unique piece of art designed to provoke thought and comment in the centre of a busy urban environment. In its original position, it broke up the concrete lines of the town and prompted a pause for thought, even if only a few seconds, to reflect on something that somehow managed to be both incongruous and perfectly situated at the same time.
“The Woodsman” was also a reminder of Basildon’s past. We’ve recently celebrated 60 years as a town. Prior to its construction, much of the area was fields and woodlands. Even now, Basildon is a place that contains areas of incredible natural beauty. It’s not without reason that Arthur Young, in his A Six Weeks’ Tour through the Southern Counties of England and Wales, wrote the following about Langdon Hills:
“The Woodsman” provided a connection to our history and that natural environment right in the middle of our town, where it could be enjoyed by those shopping, working, visiting the Council or passing through. We didn’t have to make a special trip to see it.
Finally, it also stood as a testament to the talents of Dave Chapple, who passed away on Friday 6th November 2009. Dave had even proposed a sculpture for the Millennium Domewhen the Government was seeking ideas for what to put inside. To my mind it was a stunning challenge to the material assumptions that have overtaken us, putting Christ at the centre of the building commissioned to mark the new millennium.
Dave Chapple with “The Woodsman” - Picture Esk, Flickr
Beautiful detail at the base of “The Woodsman” - Vin Harrop
“The Woodsman” in its rightful place - Vin Harrop
To my mind, we have lost something as a community when politicians are prepared to spend £38 million on a sporting complex, but those same politicians are not prepared to find the money, time or motivation to ensure that “The Woodsman” – created in Basildon, for Basildon – can be enjoyed by thousands in the space it was created for.
“The Woodsman” is a thing of beauty that tells a story far greater than many imagine.
The Town needs to remember its roots – and the people of the town want to know its history and be reminded how beautiful parts of our district truly are.
And The Politicians need to remember who they represent. They also need to remember the heritage – cultural and natural – that is entrusted to them.
If you are interested in seeing some of Dave Chapple’s other work, please see this online gallery.
Sometimes you see something that literally takes your breath away.
I missed this last year – it was covered by the Guardian who reported on how Kseniya Simonova performed live on the final, keeping a nation spellbound and reducing the studio audience to tears with her sand art. Her performance mixed incredibly beautiful pictures with music and a story of Ukraine’s painful wartime history after the German invasion of 1941.
If you’ve seen it, look at it again and be reminded just how talented some people are. If you’ve not seen it, marvel at what those pictures in the sand on Cornish beaches could be.
Those of you who read the Bazzo Christmas piece may be interested to know that Steve from the Ugly Wuggly Puppet Company (the team behind Old Man Stan) has posted a lengthy comment. Vin Harrop, heritage director of Our Basildon, has also posted. You can find their comments by clicking here and scrolling down:
If you have thoughts on the arts in Basildon to add, please do so.
And if you’ve not looked around the Our Basildon website I urge you to do so and see what a wealth of public art there is throughout the district. You can also check out the heritage trail that has been created.
Fragments and Reflections 