So Ellie tends to hide her light under a bushel. However, we who know realise that she is an ultra-cool and talented artist whose work is fresh and exciting. I know you think I might say that, as she is my sister, but siblings are not always the kindest critics. I don’t have a good record to be honest. I was apparently interrupted by the neighbour attempting to place my brother (equally talented and ultra-cool) on the bonfire.
This was a long time ago.
Not recently. Anyway…
Most of her stuff is not online at the moment as she is still reworking her online gallery. However, I have decided to embarrass her on my blog by showing the world (well, those who read this) how talented she is.
One of her early commissions was to work on The Compton Skyline Project in Brighton. It was a fantastic and ambitious piece of community art, installed on the roofs of houses and engaging local people in its conceptualisation and production. As well as painting, she is a dab-hand at sculpting and installations, working with both the Eden Project and Truro’s City of Lights Festival and Parade.
Some parts of the country truly understand the arts and our broad impact on our quality of life. Ellie has worked with Arts for Health Cornwall and the Isles of Scilly where she and her friend Tom put on a workshop for disabled children to explore their creativity (take a look at page 12).
She has also been a part of the creative team at Wildworks, the Cornish theatre company with a reputation for challenging and innovative theatre. Wildworks specialises in working with the landscape and reworking mythical stories in a way that makes them relevant to the here and now. Recently, Wildworks put on the sensational show The Beautiful Journey. Have a look at the reviews. It’s a tremendous vote of confidence in her talents for her to be credited as a member of the team alongside her great friend, collaborator and house-mate, the equally talented and ultra-cool Myriddin Wannell (more on him another time!).
To give you a better idea of what fuels her creative imagination, probably best to read about Ellie in her own words:
Having grown up overlooking the Thames Estuary and it’s industrial and post-industrial landscape – oil refineries, anonymous edifices, scrub land and muddy-brown waters – it is of no surprise that when I moved to the other end of the country I landed at the heart of Cornwall’s contemporary mining landscape. Currently, I’m fascinated by these industrial yet ghostly and sombre places.
Most of my work is predominantly within the realms of drawing and painting, where I’m driven equally by the exploration of materials and the language of mark-making.”
In 2008 a series of Ellie’s work on the china clay pits around Truro and St Austell was displayed on the King Harry Ferry, Feock, at the height of the holiday season (August) in an exhibition entitled Embark 2008. The online journal for Cornish artists, artcornwall.org has one of the pictures she exhibited online.
So what is she doing today?
If anyone wants to see what else she has been up to, have a look at her CV. If you want to acquire a piece of her work or are interested in engaging her talents, drop me a line and I will put you in touch if you can’t track her down on the web!
Good luck Ellie – you’re totally great.