A familiar ache… And so a ranger prepares to return to Norrath #eq2

“He is as Autumn shadows, stealing soundlessly beneath the vaulted arches of the Moon-burnt sky, the deadly promise of a winter’s blade in the dark watches of the night. Relentlessly he pursues Her. Defiantly he loves Her.”

Keredh Windryder, Ranger

Gaming is either something you get or something you don’t.

For some of us, the prospect of immersing ourselves in the LCD glow of a world constructed from bits and bytes sets our pulses racing. Our imaginations can spend all day rehearsing the moment we turn the lights off and sit down to lead our friends and guild-mates into battle.

For the rest, the prospect leaves them cold. The world of the geek gamer is a dark and alien place, strewn with the detritus of a life lived online:  cans of coke, empty coffee mugs with a crusted sediment deep inside, discarded crisp packets and sweet wrappers – and the musty – occasionally rancid – smell of immobile, sleepless concentration.

I suspect most of my family, friends and colleagues fall into this latter category, bemused at the hours of life that Em and I can spend in these virtual worlds, each with its own lexicon, politics and social mores.

Computer gaming, though, has been a huge part of my life for almost thirty years.

As technology has developed, so the boundaries between real life and virtual life have shifted and blurred. Sometimes this has had catastrophic personal consequences – and on other occasions it has resulted in moments of sheer serendipity. I can honestly say that gaming, specifically the two incarnations of Everquest, has impacted my life in far more significant ways than I could have ever envisaged.

More on that another time, perhaps.

So it was today, sitting at work, that I felt a familiar ache. A longing for a place I know better than the back of my hand. A place that most script kiddies and World of Warcraft fanbois have never known – but a place that makes Azeroth look as exciting as Tellytubby land.

Norrath.

Sony’s Everquest is the Great Granddaddy of Massively Multiplayer Online Roleplaying Games (MMORPGs). Everquest 2 is its electrifying reinvention.

On and off for the last seven years, Everquest (Everquest 2 for me these days) has been a way of escaping from the stresses and strains of an exhausting day. But how did I reach a point in life where I can see a point to investing hours in the development, customisation and manipulation of a virtual avatar, a wood-elf ranger that specialises in striking down his enemies with a blow from the shadows or a bow-strike inflicting massive damage from afar? (And believe me,  I can!)

That is a story that takes me from Mazogs on the ZX-81 in 1982, to Sentinel of Fate, the latest EQ2 expansion, in 2010. In an occasional series of pieces in the coming weeks I will explore that story. I want to reflect on the friendships forged in huddled hours around the screen – and remember the computers and the games that have given me so many fond memories.

In the meantime, take a look at where it started in 1982:

And see where that story is now in 2010:

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Amiga nostalgia – one for Stringbean if he’s reading… #amiga

So there I am, thinking about a post I want to write on my imminent return to Everquest 2, when absent Googling throws up this little gem. 100 Amiga games in ten minutes. What a trip down memory lane!

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The Woodsman Poacher galvanises Basildon’s creative communities #woodsman #toryfail

With delicious irony, the spirit of Wat Tyler has been stirred in Basildon’s creative communities by the way in which Basildon Council dumped Dave Chapple’s Woodsman Poacher sculpture at the park that bears Tyler’s name. I am sure Wat Tyler, who led a peasant army in revolt against financial dictats from the King (a poll tax, actually), would smile at the way Basildon artists are speaking out in opposition to local politicians who are quite happily rake in our taxes, but appear to have no respect for what the community actually wants.

Yesterday, The Echo reported how on Monday “More than 50 painters, sculptors, performers, heritage bosses, and other members of the arts community gathered for their inaugral meeting.” Liz Grant, who worked with other local artists to convene the meeting, describes it brilliantly:

“We had lots of people from across the arts spectum, which is fantastic for a first meeting.

“The Woodsman has been the catalyst for the group’s formation.

“We see it as a symbol of how the artistic community and the public feel about how the arts are being dealt with by Basildon’s current council and the previous one.

“It’s a symbol of all that’s wrong with how the council is operating.”

To my mind it is quite incredible how the plight of a single wooden statue has brought together Basildon’s creative communities in a way nothing else has. Steve Waters is one of the artists behind Old Man Stan, and his quote in The Echo captures succinctly the way in which the treatment of Dave Chapple’s creation has caused people to take a stand:

“We now have one united voice for the arts community in Basildon.

“The Woodman is what has brought us all together.

“We don’t want it to happen again, or ever be forgotten.”

Too damn right we don’t.

There was unanimous agreement on a motion of no confidence in the way that the Council currently engages those involved in the arts – and the way it looks after Basildon’s valuable collection of public art. As someone who has blogged variously about The Woodsman, public art in Basildon, the Wat Tyler sculpture trail and the Motorboat Museum, it was truly heartening to learn that all these issues were discussed.

What is particuarly exciting about this venture is that it is professionals and amateurs alike who are involved. Quite simply, it’s local people saying they want to have a say in how their public spaces look – and how their interests are supported – in just the same way that sport and other leisure activities are supported.

Politicians might think they can shrug this off. I don’t think they can.

Many of those who enjoy participating in the arts – creating things, making things, acting things, singing things, watching things, listening to things – get fed up with being treated as the Cinderella sector, left to sweep up the crumbs whilst the ugly homogeneous stepsisters “Sport” and “Leisure” receive the funding and the attention.

My own view, as someone involved in local politics and the local art scene, is that we attempt to tell people what they want at our peril. For me it comes back to the “raucous, unpredictable capacity of people” that lends our communities power and vibrancy and which, when untied in a single shout, demands attention as the voice of local people that help pay the Council’s way.

Being involved in the arts, involved in Basildon’s creative communities, is about being involved with each other, in all its glorious messiness.

Some things we’ll love.

Some things we’ll hate.

Some things we’ll think are pointless.

And some things we’ll disagree on.

But some things – like The Woodsman Poacher – will make us realise that we have much more in common than we think.

If you want to get involved, the next meeting is on Monday 22nd March at 7.00pm, St Martin’s Church Hall. Please call Elizabeth Grant on 07939 122864 for further details.

If you think Basildon deserves better than bulldozers and excuses, come along.

And finally, for those politicians who still think that all this really doesn’t matter, there’s a salutory lesson on Facebook.

Friends for the The Woodsman Poacher? 1,651.

Friends on the campaign page of Basildon’s Tory candidate? 150.

The Woodsman Poacher rests his case…

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Music video madness with OK Go

Music videos are close to an art form in themselves, mixing very different media to startling and stunning effect. The band OK Go have had some fun with their latest for their song “This Too Shall Pass” and I thought it worth sharing here, in case you’ve not picked up on it elsewhere.

If you are interested in the way they put it together, they have a second video in which they discuss making it:

There are also some interesting articles on OK Go’s video on LA Times blog pages, Buzznet and Alt Press.

Enjoy!

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We breed ’em tough in Basildon… Chickens that is

Coming from a farming family who, in latter days, have kept chickens and ducks, whilst growing large quantities of over-sized vegetables, I have always taken a philosophical view of nature’s brutalities and the fact that foxes are a constant threat.

In my youth I was a fan of Roald Dahl’s Fantastic Mr Fox, which I regard as a witty and subversive take on things agricultural. They are very easy to over-romanticise, with their handsome looks and lithe movements, and you can forget that actually they are cunning little devils capable of slipping bolts, climbing wire and flicking hatches. when it comes to chickens, they’re not above killing the lot and taking only one or two.

Funny then (though not for the fox), to read in Metro about a very different turning of the tables.  Chickens lend themselves to groansome puns, so the journo has some fun with “a murder most fowl”.

Anyway, it would appear that chickens in Basildon are made of sterner stuff than your average Rhode Island Red. Dude the cockerel, Izzy, Pongo and Pecky clearly had other ideas than becoming the latest take-out meal for a passing fox. I can only imagine what Michelle Cordell feeds them on. (I have a sneaking suspicion that I know where these chickens hang out!)

Hats off to Basildon’s tougher breed of chook.

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